Book Mark Project 2023

 I've just finished my (very literal) bookmark for Sharon Hattersley's Book Mark Project 2023 it's an original drawing, one of many produced by some great artists which will be auctioned in May to support Katiyo Primary School in Zimbabwe.

The Escapee...

 My breakfast table doodle got coloured in!

Dragons in their pants!

SURELY this is what they invented the internet for?!?!

 

Tiger Dreams

Regular followers of my other social media accounts will know that that I stabbed myself in the thumb with my dip pen while drawing this. The rest of you will probably never see this or even care, you absolute rotters! 

Who KNEW illustration was so dangerous?!?

(Yeah, I'm fine now. Cheers for asking...)

(More tigers?)

Steve May - Illustrator's Q&A

 

Illustrator Q&A for the Big Bearded Bookseller (@IndieBookshopUK)

Where I discuss drawing, conversations with random cats, my influences & basing a villain on an ‘evil-David Dickinson’ amongst others…

Read the interview here 

When did you know you wanted to become an illustrator?

I always drew obsessively as a kid but I didn’t realise you could do it as a living until I was about 10 years old & discovered 2000ad

How long does it typically take to make a page or cover for a book?

Ha ha! How long is a piece of string? It depends how many characters are involved. My present book has a big cast of characters so the cover was quite complicated!

What’s your favourite piece of art equipment?

I love dip pens although I’m a rather destructive illustrator & I frequently destroy them!

Do you have a favourite colour scheme, if so what and why?

I seem to often lean towards purples & oranges but nothing in particular

Who were your inspirations when starting out?

There are SO many artists I love but Tove Jansson (Moomins) Mick McMahon (Judge Dredd etc.) Albert Uderzo (Asterix) & Ralph Steadman all had a huge influence on me

Do you have another job beside being an illustrator, if so what?

I’m an animation director & I lecture in animation.

What do you do to overcome a creative block?

Eat things I shouldn’t or go for long walks & start up conversations with random cats I meet in the street.

Do you have a favourite piece in your portfolio, if so could you share it and talk about it?

It changes all the time. I like to feel I’m always moving forward so it’s usually something I’ve done recently. I’m rather fond of the cover from Supernan’s Day Out by Phil Earle which was published last year 2022 by Barrington Stoke – it’s got lots of things I love in it, superheroes, the seaside, ridiculous animals (& if you look closely there’s a little cameo of me wearing a striped shirt eating an ice lolly & holding an inflatable fish in the background.

What was your first book related project?

I *think* the first children’s book I illustrated professionally was called ‘James & The Alien Experiment’ by Sally Prue back in 2005

What type of media do you prefer to work in and why?

I love pen & ink but I generally work digitally so my stuff is usually a bit of a hybrid

Do you have a playlist you like working to? If so do you want to share it?

I like noisy music when I’m colouring in!

Do you have any rituals when working?

Does ‘pulling stupid faces’ count?

Do you have a favourite artist outside of the world of books, if so who and why?

Too many to mention, early Hockney, Francis Bacon, Jean Dubuffet, Aubrey Beardsley (& all the other ones I’ve forgotten!)

Did the books you read as a child influence your work?

Very much so! I loved the Asterix & Moomin books & Richard Scarry’s work was phenomenal. (I had the honour of getting a quote on the covers of recent Scarry reissues from Faber which was VERY exciting!)

Has your illustration/art style changed over time?

Yes, but gradually. (although I’m sure my critics would say I just drew the same nonsense over & over again!)

How closely do you work with the author on developing the illustrations for a book?

I like to be able to send over character ideas & discuss them with the author – sometimes I’ll ask them if they have anybody in mind for a particular character. When I was working with Harry Hill we concocted a villain who was half Nick Cotton from Eastenders & half ‘Evil-David Dickinson’!*

(*You’ll only know David Dickinson if you watch too much daytime TV!)

If you could illustrate any classic book which would it be and why?

Alice in Wonderland would be fun but I’d also love to have a crack at Andy Stanton’s Mr Gum books!

Which illustrated books in the last year have you loved?

Too hard! I did rather love Sister Clawdetta by the brilliant Tor Freeman!

If you can please tell us about your latest project and if not your last project

My latest project is a picture book with the brilliant Francesca Simon which I’m sworn to secrecy on – I’ve been working with Francesca on her Two Terrible Vikings series for Faber but this is a new picture book for younger readers – hilarious & VERY colourful – watch this space…

Do you have any events on in the near future?

I’m doing Wimbledon Bookfest for World Book Day on the 9th March with Francesca Simon talking about our latest book Two Terrible Vikings – Feast With The King – expect mayhem (that’s MAY-hem of course!)

The Two Terrible Vikings invade Wimbledon Bookfest!

I had great fun today bringing the exploits of Hack & Wack the Two Terrible Vikings to life at Wimbledon Bookfest today at the lovely New Wimbledon Theatre with Horrid Henry author Francesca Simon.

We entertained about 500 London school children with stories & live drawing with characters & stories from the Two Terrible Vikings series by Francesca & me. 

They learned about Vikings, stinky trolls & terrible babysitting tips when the twins have to babysit Dirty Ulf's brother Fire Hazard (whose name explains a LOT!) from the new book Feast With The King

 

Happy Hallmark™ Day!